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The $25bn Machine: Headlines Belong to the Giants, But Talent Shapes the Future

Omnicom is now the world’s biggest holding company. Jobs will go, careers will shift. But talent adapts, reinvents, and new stories are already taking shape

By Creative Salon

Omnicom’s acquisition of IPG is finally complete. The holding pages updated, the global press releases scrubbed to a high corporate shine. New roles, new talent, new hires… new stories are already emerging.

Omnicom and IPG are now one giant, rationalised, efficiency-optimised machine. This creates the largest advertising agency group by revenue anywhere in the world, with the combined business expected to generate around $25bn a year. In his statement, Omnicom CEO John Wren, who will now lead the enlarged empire, called the acquisition a “defining moment for our company and our industry”. He’s not wrong. But defining moments have shadows.

And while the markets will cheer, inside the industry the mood is a tad sombre. Because behind every "synergy" sits a human cost. And this one will be vast. The price tag tells its own story. The final transaction came in at around $9bn - sharply lower than the originally anticipated $13bn when the deal was announced back in December. Market realities did the heavy lifting: Omnicom’s share price has declined since then, and agency holding company stocks across the sector have taken hits. It's consolidation born not of ambition alone, but of market pressure, investor impatience and the cold mathematics of scale.

Here’s where we have to stop cheering and look hard at the human cost. Because the efficiencies required to make a $25bn machine run smoothly will not come from software licences or office leases alone. There will be tears. Many good people are bound to lose their jobs as overlapping agencies are merged, roles consolidated, and some beloved shops inevitably fade out altogether. We’ve been here before - WPP’s rationalisation years still echo (and there maybe more to follow) - but that doesn’t make any of this easier. For those who’ve spent months suspended between rumours and restructuring, this next phase will feel brutal.

And then came the autumn budget. If the merger delivered the first punch, then chancellor Rachel Reeves delivered the second. For anyone who will soon find themselves back on the job market through no fault of their own, there was precious little comfort on offer.

This was not a budget for entrepreneurs, for creative industries, or for businesses in transition. The tax burden rises again - stealthily, inexorably - through frozen income-tax thresholds, new levies on high-value assets, changes to dividends and capital gains, and the much-trumpeted clampdown on salary-sacrifice pensions. It was all trailed in advance, of course, but that doesn’t blunt the impact.

Meanwhile, clients are tightening their own budgets further. Procurement is sharpening its knives. AI is becoming both a mantra and a cudgel. And for the displaced agency talent, the landscape they re-enter is colder, meaner, and less forgiving. A job market contracting just as living costs and tax pressures rise is a brutal combination - particularly heading into Christmas.

Moments like this demand clarity: clarity about what you stand for, where you add value, and how you intend to survive the turbulence. Expect creativity to matter more than ever. Lean organisations need distinctive ideas. Frugal brands need work that earns its place.

The merger may be complete - but for the people whose futures are being rewritten by it, this story is only just beginning. And if there’s one thing this industry has always proved, it’s that creativity doesn’t die in the hard years; it finds new space to bloom. Talent moves, reinvents, reassembles. New agencies are born in moments exactly like this.

The headlines may belong to the giants, but the future will still belong to the talent that is bold enough to make something new.

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