adam&eveDDB and Crisis make homelessness ‘Impossible to Ignore’

Adam&eveDDB and homelessness charity, Crisis, have launched a new campaign that aims to make the problem of homelessness ‘Impossible to Ignore’ this winter.

A towering, hyper-realistic sculpture of a person experiencing homelessness has appeared today at London’s Kings Cross station. The colossal 4.3-metre-tall sculpture, created by hyper realism artist Sophie de Oliveria Barata, working with Creative Giants, stands as a visible testament to the hundreds of thousands of people currently experiencing the most acute kinds of homelessness.

The campaign is based on the insight that the more homeless people we see, the less we really see them. This behaviour reinforces an all too common reaction as people choose to walk past and ignore the devastating impact of homelessness because it’s too uncomfortable to confront.

However, new research reveals that the issue is worsening, as 300,000 households could be forced into homelessness next year, with sleeping on the streets, sofa surfing and living in temporary accommodation becoming more prevalent as the cost-of-living crisis bites. We know that ignoring this problem won’t make it go away.

To tackle this, adam&eveDDB and Crisis set out to make people confront and care about the issue.

The sculpture, named Alex, has been created with incredibly realistic life-like features - through tools such as AI mapping, using the profiles of seventeen people facing homelessness who have been supported by Crisis - to reinforce the humanity of people experiencing one of the most brutal forms of homelessness: rough sleeping.

Sitting at 2.5 tonnes and the height of a double-decker bus, the sculpture took 10 weeks to create and is surrounded by QR codes leading visitors towards the website with opportunities to read people’s stories of experiencing homelessness, as well as donate to the charity.

A making-of film has been shot by Dan Boulton, Content Director, adam&eveDDB to capture the process of creating a hyper-real sculpture like Alex, and brings the craft and detail to life.

Alex is supported by a 50” hero film, ‘Impossible to Ignore’, set to premiere during an exclusive spot on Monday 5th on Channel 4, during its flagship evening news programme. Produced in collaboration with new-land, directed by Bjarke Underbjerg with VFX and grade by Untold Studios, and audio by Wave studios, the film carries the same ‘Impossible to ignore’ message that runs throughout the integrated campaign.

Catherine Ashford, Head of Marketing and Communications at Crisis, said: “Every day at Crisis we are confronted with the impact homelessness has on people’s lives and every day we see that it doesn’t have to be this way. But we know homelessness is an issue people find overwhelming, and while many want to see change, too many of us continue to turn away.

“Now, with rents rising and increasing cost of living pressures pushing more and more people into homelessness, this growing problem must finally be confronted. That’s why we’ve been delighted to work with adam&eveDDB on our new campaign to ensure that homelessness cannot be ignored any longer. We hope that Alex will not only stop people in their tracks and evoke powerful feelings of connection but that it will inspire conversations about homelessness. Because only when each and every one of us engage with this pressing issue, can we make the changes needed to end it for good.”

Mike Sutherland, Executive Creative Director at adam&eveDDB, added: “The statistics speak for themselves. Homelessness in the UK is a serious issue that needs urgent attention. We wanted to create something that will stop people in their tracks. So, we made an ultra-realistic, lifelike sculpture of someone who is experiencing homelessness called ‘Alex’…that also happens to be the size of a double decker bus. Our hope is that ‘Alex’ will be impossible to ignore and will raise the much-needed attention around homelessness and what we need to do to try and help solve it.”

Artist Sophie de Oliveira Barata added: “I’ve been incredibly privileged to work with Crisis to bring this sculpture to life. It’s been a fascinating process harnessing artificial intelligence to create a face that represents homelessness, a problem that all too many of us ignore and struggle to engage with. This is the largest sculpture I’ve ever created and I sincerely hope it makes the desired impact and stops everyone in their tracks so they have no choice but to reflect on the issue.”

Christmas is the most important time of year for donations to Crisis, as well as a particularly tough time for those experiencing all forms of homelessness. The campaign timing has been planned to support this.

Alex will be at London’s Kings Cross for two days from Monday 5th December before being transferred to the Birmingham Bullring where it will continue to raise awareness in the United Kingdom’s second-largest city from 8th – 12th December.

The key visual, which features in OOH and was shot by photographer Nicky Hamilton, uses physical scale to indicate the enormity of the problem.

The campaign will run on TV, VOD, social, digital and OOH, from 5th December to the end of December.

Media planning and buying is handled by The Kite Factory, focussing on AV and digital. This includes a bespoke cross-platform partnership with Channel 4, designed to maximise awareness.

Credits:

Client: Crisis

Brand: Crisis Christmas

Project/Campaign name: Homelessness can’t be Ignored any longer.

Client: Anna Shardlow (Head of Brand); Catharine Ashford (Head of Marketing); Sam Gough (Marketing Lead); Katie Cooper (PR Lead); Sophie Reardon (Media lead); Holly Parker Monks (Head of talent); Sarah Power (web design) & Suzane Miller (Christmas Campaign manager)

Chief Creative Officer: Richard Brim

Executive Creative Director/s: Mike Sutherland & Ant Nelson

Copywriter: Mike Sutherland

Art director: Ant Nelson

Agency producer/s: Amy Simmons & Hannah Needham

Assistant Producer: Thiara Macalinao & Lynn Murphy

Planner/s: Catherine Willoughby

CEO: Tammy Einav

Managing Partner:

Account management: Fraser Thomson, Lily Henry, Lydia Barber & Tatty Milliken

Project management: Ella Rivron

Designer/Typographer: Scott Silvey (King Henry)

Media agency: The Kite Factory

Media planner/s: Laura Osborne & Rik Moore

Gregor Chalmers

Frankie Elton

Megan Ashdown

Patrick Beswick

Caroline Dolan

Design & Production Lead : Creative Giants

Creative Director: Simon Vaughan

Design Director: Ben Kearns

Producer: Victoria Dobrowolska

AI Face Blender: Chris Chowen

Sculpture artist: Sophie de Oliveira

3dify: Ian Bryne

Millimetre: Harriet Lansdown

BTS Editing Company: Cain & Abel

BTS Editor: Ash Sykes

BTS social: Judith Tulkens, Matt Osborne & Phoebe Wright

BTS Videographer: Dan Boulton

BTS Postproduction: Cain & Abel

BTS Post Producer: Carmen De Witt/Olivia Hards

Photographer: Nicky Hamilton

Photography Production: Process Photography

Photography Assistant: Chris Maken

Photography Post Production: Dennis Tuffnell

Production company: new-land

Managing Director: Trine Pillay

Executive Producer: Daniella Manca

Producer: Jake River Parker

Director: Bjarke Underberg

D.O.P: Joe Cook

Production Manager: Maddy Williams

1st AD: Freddie Wright

2nd AD: Oli Hill

Production Runner : Leda Contopanagos

Production Runner :Krishita Desai

Production Runner: Tom Gonzales

1st AC: Milo Brown

2nd AC: Scarlett Gardener

Steadicam Operator: Luke Snowball

DIT: Davo McConville

Grip: Jay Matthews

Gaffer: Ben Miller

Spark: Peter Musgrave

Sound Op: Edwin Weiss

Art Director: Soo Young

Art Assistant: Leonora Schytte

Wardrobe: Doug Broad

MUA: Emma Gandolfo

MUA Assistant: Holly Elmes

Editing Company: Ten Three Editing

Editor: Elena De Palma

Edit Producer: Eppie Bowler

Post Production: Untold Studios

VFX Creative Director: Ben Cronin

VFX Lead Artist: George Rockcliffe

Post Producer: George Reid & Ian Berry

Colourist: Didrik Bräthen

Audio Post Production: Wave Studios

Audio Engineer: Parv Thind, Ben Gulvin

Music Supervision: Theodore Music